Arkhive Sound: Budget Implications in Game Audio Production 

Posted: July 27, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , , , , | Leave a comment »

Gamasutra – Sound Friction: Collaborative Challenges In Games

Posted: July 21, 2011 | Author: | Filed under: Game Audio | Tags: , , , | Leave a comment »

Mix Online: Radical Entertainment Opens New Post-Production Suite

Posted: July 14, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , , | Leave a comment »

Top 10 tips for getting into Game Audio 

Posted: July 11, 2011 | Author: | Filed under: Game Audio | Tags: , , | Leave a comment »

SUBTLETY AND SILENCE

Posted: July 11, 2011 | Author: | Filed under: Game Audio | Tags: , , , , | Leave a comment »

AES 2008 – Interactive Mixing Lecture

Posted: July 11, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , | Leave a comment »

In The Loop: Planning for Feedback in Game Audio Production

Posted: July 6, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , | Leave a comment »

Designing A Next-Gen Game For Sound

Posted: June 27, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , , | Leave a comment »

Audio Postmortem: Scarface: The World is Yours

Posted: June 27, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , , , , , , , , | Leave a comment »

Audible Words, Pt. 1: 'Developers, Meet Your Reviewers'

Posted: June 27, 2011 | Author: | Filed under: Game Audio | Tags: , , , , , | Leave a comment »
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